Wednesday, 4 March 2009

STEVE TAYLOR - LIVER / 1995 / DISCOGRAPHY / BIOGRAPHY / REVIEWS

















THIS ALBUM CONTAIN(10-TRACKS)
1-JIM MORRISON'S GRAVE
2-THE LAMENT OF DESMOND R.G
UNDERWOOD-FREDERICK IV
3-I WANT TO BE A CLONE
4-ESCHER'S WOLRD
5-ON THE FRITZ
6-BANNERMAN
7-HERO
8-JESUS IS FOR LOSERS
9-THE FINISH LINE
10-VIOLENT BLUE
STEVE TAYLOR-NOW THE TRUTH CAN BE TOLD-1994
















THIS BEST COMPILATION CONTAIN(34-TRACKS)
1-I WANT TO BE A CLONE
2-WATCHA GONNA DO WHEN YOUR NUMBER'S UP?
3-WHATEVER HAPPENED TO SIN?
4-BAD RAP(Who You're Trying To Kid,Kid)
5-MELTDOWN(At Madame Tussaud's)
6-SIN FOR A REASON
7-GUILTY BY ASSOCIATION
8-HERO
9-AM I IN SYNC?
10-BABY DOE
11-THIS DISCO(Used To Be A Cathedral)
12-TO FORGIVE
13-DRIVE,HE SAID
14-I JUST WANNA KNOW
15-ON THE FRITZ
16-LIFEBOAT
17-WE DON'T NEED NO COLOUR CODE
18-YOU DON'T OWE ME NOTHING
19-UNDER THE BLOOD
20-BOUQUET
21-I BLEW UP THE CLINIC REAL GOOD
22-JIM MORRISON'S GRAVE
23-INNOCENCE LOST
24-WHAT IS THE MEASURE OF YOUR SUCCESS?
25-SINCE I GAVE UP HOPE I FEEL A LOT BETTER
26-SVENGALI
27-A PRICIPLED MAN
28-HARDER TO BELIEVE THAN NOT TO
29-MURDER IN THE BIG HOUSE
30-ESCHER'S WOLRD
31-VIOLENT BLUE
32-WINTER WONDERLAND
33-DREAM IN BLACK & WHITE
34-SHARK SANDWICH
STEVE TAYLOR-SQUINT-1993
















THIS ALBUM CONTAIN(10-TRACKS)
1-THE LAMENT OF DESMOND R.G UNDERWOOD-FREDERICK IV
2-BANNERMAN
3-SMUG
4-JESUS IS FOR LOSERS
5-THE FINISH LINE
6-THE MOSHING FLOOR
7-EASY LISTENNING
8-CURSES
9-SOCK HEAVEN
10-CASH COW(A Rock Opera In Three Small Acts)
STEVE TAYLOR-THE BEST WE COULD FIND-1988
















THIS COMPILATION CONTAIN(17-TRACKS)
1-UNDER THE BLOOD
2-DOWN UNDER
3-MELTDOWN(At Madane Tussaud's)
4-TO FORGIVE
5-HERO
6-BOUQUET
7-THIS DISCO(Used To Be A Cut Cathedral)
8-SIN FOR A REASON
9-GUILTY BY ASSOCIATION
10-ON THE FRITZ
11-I JUST WANNA KNOW
12-STEEPLECHASE
13-I WANT TO BE A CLONE
14-WHATEVER HAPPENED TO SIN?
15-WRITTING GUARANTEE
16-BAD RAP(Who You're Trying To Kid,KID?
17-WATCHA GONNA DO WHEN YOUR NUMBERS UP?
STEVE TAYLOR-I PREDICT-1987
















THIS ALBUM CONTAIN(10-TRACKS)
1-I BLEW UP THE CLINIC REAL GOOD
2-WHAT IS THE MEASURE OF YOUR SUCCESS?
3-SINCE I GAVE UP HOPE I FEEL A LOT BETTER
4-BETTER
5-BABYLON
6-SVENGALI
7-JUNG AND THE RESTLESS
8-INNOCENCE LOST
9-A PRINCIPLED MAN
10-HARDER TO BELIEVE THAN NOT TO
STEVE TAYLOR-LIMELIGHT-1986

















THIS ALBUM CONTAIN(8-TRACKS)
1-THIS DISCO(Used To Be A Cute Cathedral)
2-I WANT TO BE CLONE
3-YOU DON'T OWE ME NOTHING
4-ON THE FRITZ
5-WE DON'T NEED NO COLOUR CODE
6-WHATEVER HAPPENED TO SIN?
7-MELTDOWN(At Madane Tussaud's)

8-NOT GONNA FALL AWAY
STEVE TAYLOR-ON THE FRITZ-1985
















THIS ALBUM CONTAIN(10-TRACKS)
1-THIS DISCO(Used To Be A Cathedral)
2-ON THE FRIZT
3-IT'S A PERSONAL THING
4-TO FORGIVE
5-YOU'VE BEEN BOUGHT
6-YOU DON'T OWE ME NOTHING
7-I MMNIPULATE
8-LIFEBOAT
9-DRIVE,HE SAID
10-I JUST WANNA KNOW
STEVE TAYLOR-TRANS-ATLANTIC REMIXES-1985
















THIS DEMO EP CONTAIN(3-TRACKS)
1-NOT GONNA FALL AWAY
2-WE'RE ALL ONE
3-THIS DISCO(Use To Be A Cute Cathedral)
STEVE TAYLOR-MELDTOWN REMIXS-1984
















THIS DEMO EP CONTAIN(3-TRACKS)
1-MELTDOWN(At Madame Tussaud's)Extended Version Remix)
2-MELTDOWN(At Madane Tussaud's)Instrumental Extended Version Remix)
3-MELTDOWN(At Madane Tussaud's)Edited Version Remix)
STEVE TAYLOR-MELTDOWN-1984
















THIS ALBUM CONTAIN(9-TRACKS)
1-MELTDOWN(At Madame Tussaud's)
2-WE DON'T NEED NO COLOUR CODE
3-AM I IN SYNC?
4-MEAT THE PRESS
5-OVER MY DEAD BODY
6-SIN FOR A REASON
7-GUILTY BY A ASSOCIATION
8-HERO
9-JENNY
10-BABY DOE
STEVE TAYLOR-I WANT TO BE CLONE-1983
















THIS DEMO EP CONTAIN(6-TRACKS)
1-STEEPLECHASE
2-I WANT TO BE CLONE
3-WHATEVER HAPPENED TO SIN?
4-WRTTING GUARANTEE
5-BAD RAP(Who You're Trying To Kid, Kid?
6-WATCHA GONNA DO WHEN YOUR NUMBERS UP?













BIOGRAPHY:
Sometimes referred to as the "clown prince of Christian music," Singer/Guitarist Steve Taylor was one of the first to bring sarcasm and satire to Christian music. Roland Stephen Taylor was born on December 9, 1957, in Brawley, CA, but was raised in Denver, CO. Taylor didn't begin singing seriously until his college career, when, in 1979, he was first of the 100 chosen from 20,000 applicants for John Davidson's summer camp; Taylor spent a month learning from the likes of Tony Orlando, Florence Henderson, and John Davidson. Despite having firm roots in Christian-based music, Taylor has always been open to other styles; he often points to the Clash's classic London Calling as one of his most important musical discoveries during this time. A demo cassette of original tunes that mixed new wave with gospel gained the attention of several record labels; but before he began work on his debut, Taylor served as an assistant director for the evangelistic singing group, the Continentals, and as a director for the Christian musical comedy troupe, Chuck Bolte's Jeremiah People. A solo slot at Cam Floria's Annual Christian Artists Conference in Estes Park, CO, during the summer of 1982 resulted in a recording contract with the independent Sparrow label, who issued Taylor's first four releases: the 1983 six-track EP I Want to Be a Clone; a pair of full-length studio efforts, 1984's Meltdown and 1985's On the Fritz; in addition to an in-concert set, Limelight. Taylor then issued perhaps the most controversial album of his career, 1987's I Predict 1990, which included such song titles as "I Blew Up the Clinic Real Good" and "Since I Gave Up Hope I Feel a Lot Better," and due to its hostile reception, led to Taylor taking a sabbatical from Christian music. But Taylor didn't retire from music entirely, as he formed the heavily Clash-influenced group, Chagall Guevara (which also included Guitarists Dave Perkins and Lynn Nichols, Bassist Wade Jaynes, and Drummer Mike Mead) in 1990. But the group only lasted for a single self-titled debut, before splitting up in 1992. Instead of returning back to solo work immediately, Taylor turned his attention to producing other artists, including several releases for the Australian-based gospel outfit, the Newsboys. Soon after, Taylor decided to restart his solo career, issuing his first solo release in five years, Squint, in 1993, while a Taylor tribute album, I Predict a Clone, appeared around the same time. The mid-'90s saw the release of a double-disc 34-track career retrospective, Now the Truth Can Be Told, as well as an all-new studio album, Liver. Taylor continued to produce other acts (Guardian, Sixpence None the Richer, etc.), and has started up his own record label, Squint Entertainment (via Word Records)(http://www.holymetalrob.com/)

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